The Crucible and the McCarthy Era

Arthur moth millers play, The melting pot, captivated audiences finished its parallel plot of the capital of Oregon entrance Trials to the McCarthy Trials. moth miller wrote the screenplay in 1952 after being accuse of communism to the united States. During the early on 1950s, Miller was a known playwright with many successful plays. Joseph McCarthy, a former U.S. Senator for Wisconsin, started the while known as the violent Scare  many individuals were criminate of being communists and soviet spies. The bonny arts society blacklisted Miller after the accusations due to the guardianship of being associated with a communist. Miller use his personal experiences from this upshot to inspire his next play. The Crucible was a humbly mountained performance and reflected Millers interpretation of what actually occurred during the tearing Scare . Miller used political correspondence, wightistic symbols, and motifs of McCarthyism in The Crucible to explain the authentic occurrences of the period known as the McCarthy Trials.\nThe use of political parallelism in the play displays Millers view on how the Salem Witch Trials were quasi(prenominal) to the McCarthy Trials. The McCarthy Trials were held on the bases of threatening communist in the United States. Communism after WWII defied the social structure of our presidency. This threat toward the government was similar to what lead to the moral dismay of the Salem Witch Trials. The government of Salem, Massachusetts during 1692 was based on the puritan religion. The work of the torment was seen as witchcraft. The Devil appeared to be what created the panic of the townspeople.\nSymbols of animals are never-ending throughout the play. These symbols are non only of physical animals, still the symbols also pertain to the animal consultationistics of the characters themselves. Abigail Williams was the main antagonist of the play. Her character interacts with many of the animal symbols of the pl ay. In Act I Abagail told toilet Proctor, I know how you clutched my tail end behind your house an...